Archive for the ‘Build’ Category

Shook Ones

March 22, 2011

The first place you feel an earthquake is your stomach. Right where you feel fear and heartbreak, the place that drops away when you’re falling through the air or in love. For a moment, it shifts. Then everything is shaking.

I remember the exact moment I knew how serious this was going to be. A long aftershock was gently rocking my house, and I was watching the news break online. The whole country was shaking, but everything sounded as good as it could be. There are few places more prepared for an earthquake than Japan, and there were no reports of buildings collapsing. And then: “Seriously, anyone on east coast of Japan needs to head to high ground.” My stomach dropped. It was time for work. The wave rolled in.

That night we knew what had happened, but only saw people trying to reach their families on Honshu. We heard most had no electricity, but fortunately everyone was safe. At that point, for us, it was disaster without death. The next morning we saw what had happened. Exactly what you saw. The Japanese, who weeks earlier were searching through the rubble of Christchurch, were now struggling with tragedy of their own.

It was one of those increasingly frequent and intense reminders of the fragility of human existence. A reminder that everything, no matter who you are, can be ripped from you with total impunity. Families, friends, homes, lives. Anything you hold closest, value above all else, can be destroyed. We are fragile, and we are invincible, and we are beautiful.

Suddenly we were caught at the centre of the global news cycle. “I’m safe, everything is fine,” was not a mantra we repeated to ourselves, but to everyone back home. What can you possibly say to yourself? What else can you say to them? “Don’t watch the news on TV,” would have been a good start. We were calm and collected. As the days passed, reporter/actors dramatized the images bouncing around the globe. What they said reached everyone who cared, and through them, came back on us with a ferocity I could never have imagined. I lost track of who knew I was ok. I also lost track of who was ok here. A lot of people were stable until they listened to the wrong person. Occasionally that was someone here, but mostly it was anyone out there.

Nuclear fear. Rumours, tension, distrust. Town cleared out. First the tourists, then people like us. The entire staff of a ski shop left in the night. Who knows what they heard. A little fear caught in a feedback loop will consume anyone. Who is telling the truth? Are we about to be part of the worst nuclear accident in history? If we had to, could we get out? What if this is the end of our world? These are not questions you ask every day. After what we had seen and experienced, we understood life can end at any moment. Knowing you might have to flee at any moment is something much harder.

We went to work, and followed the news. We toasted to the end of the world. We made green tea. We ate breakfast in the sun. We bought each other coffee. We cooked with good olive oil, or said forget cooking. We talked, went riding, listened to the XX and Nina Simone. We held each other together. What the fuck else would you do? There was calm and stress and laughter. Our radiation humour was on point. There was gravity. I felt grounded. It was possible to see with the manic clarity of chaos and fear.

Can the whole world feel something? Because I’m right fucking here, and I can feel it. Can you feel me? I want to reach out to you, and you want to reach out to me, but can we connect? These are the moments you find out. They are the moments that define you in ways you can’t immediately understand. You will always remember them, but don’t know what you’re going to remember.

In Japan I have seen the same thing I witnessed in Louisiana as New Orleans was evacuated and Gustav hit. Only now I understand it. Home is the place from which there is nowhere else to go. Earthquake, tsunami, nuclear disaster, or hurricane. I have watched people bear them all with tears and laughter. Drawing strength from each other, because there is nowhere else to go. They are home. It’s a sense of place so strong nothing can break it. I see it in certain places, cultures and generations. I’ve seen it in Japan and New Orleans. I come from a place, a culture, or a generation which lacks that sense. What will happen when we inevitably have to deal with tragedies of our own? I know one day this will be Vancouver, and living there may never feel the same again. One plate slides under another, just like they do here.

We are all here. With each passing day, the world gets smaller, and we become closer. Within this tragedy I am nothing, but I hope I somehow brought you closer to the people who are really hurting. To the life, love, fear, death, heartbreak and strength in this moment.

People grow together, and they grow apart. The universe brings us together, and it tears us apart. The most valuable thing you can have in this life is a bond with another person that remains unbreakable when it does.

Peace.

Falling Snow

February 24, 2011

I have lived a lifetime in falling snow. I have stood on mountaintops, at the beginning and end of time. Searched for the stars, as they fell all around me. Walked down the middle of an empty highway, to the end of a silenced world. Been entirely alone and entirely lonely. Known synchronicity, supreme peace.

I have stood above the abyss and leapt. Wind has screamed for my blood to freeze, before we whispered through silent trees. Curtains of flakes fell as it blew, and I moved through time as they grew. From above the clouds to below the lights, that illuminated crystal city nights.

I have been the richest man on earth, for what it’s worth. Dead broke and smelling like wood smoke. I have kissed, cried and dried tears. Loved falling. Fallen in love. From the stop sign every time, to surviving on a life of crime. I never forgot that it would end, but always knew it would last forever.

I have risen in darkness, descended at dusk and dawn. Woken not knowing where I was, but sure it was where I wanted to be. Eaten breakfast on my feet, from muffled bombs to marches down the street. I have waited for just as many buses as I caught. Fought a child’s battle, won a man’s war. Stood with my heroes, equal, more and less heroic.

I have seen death and rode his scythe. Made a truce and earned back life. I have mourned the dead, and toasted living. Found friends I’ll never lose, extended family evolved from crews. Out of the mist, the memories drift. Bound to who I was and who I will be. I won’t stay young, but I will stay free.

I have. Slid out. Slipped up. Tripped out. Fucked up. Made footprints. Lost the way. Walked the tracks. Wished I could stay. I’ve seen heaven and I know, I want to die in falling snow.

Bang Along

January 24, 2011

I was raised on libraries. From my first book to my first year of university, easily more than 95% of what I read was borrowed from a library. When I was young and things were simple, I didn’t understand why anyone would buy a book when they could read it for free. In high school, money was the issue. Why would I spend what little I earned on a book I could borrow, when I could buy clothes, weapons, paint and things that explode?

As my horizons broadened, money was still an issue, but better calibre libraries (and the Internet) also became available. From the VPL’s downtown coliseum to SFU’s seven floor fortress of stink[1], the range of books widened, and their magic held. I still have fond memories of finding the well-worn hardcover edition of The Electric Kool-Aid Acid Test tucked deep in the stacks crowning Burnaby mountain.

When I moved on to real mountains, things changed. Like most other people I had a couple boxes of books. Mostly used, gifts, and a few I had never returned. Nothing special. At the time, Whistler’s library was shacked up in trailers, and let’s just say I had to start buying books. Which was fine. The idea of actually keeping books and building a little personal library had become very appealing. So with the help of the breezy village bookstore, and the dirt cheap prices at the greatest re-use-it store ever, that’s what happened. My attitude had gradually shifted from wondering why people bought books to discovering little I’d rather spend money on.

Then my humble collection united with D’s, and over a few years it became an unmatched force. But like the tower of Babel with it’s top in the heavens, it was eventually struck down. One half leaning on suddenly sparse shelves, and the other in a heap on the floor. Despite the split, our momentum carried, and to this day I know of few people our age in the same league.

People excepted, what I miss most often these days are my books. Sure I brought plenty to read, but hardly a day passes without the need to reference something I’ve read. From David Choe to Swami Sivanada Radha, my memory craves their exact wording and images[2]. Fortunately, travel is one of the best ways to add new dimensions to any collection, and I can’t wait to share what I’ve picked up. It’s easy to love what you have, but even easier to miss what haven’t found yet. Don’t let what you miss keep you from finding what you love.


[1] The smell aside, I’ve seen people cry over Arthur Erikson’s architecture. Some in awe, others in total despair. I’ve got a few choice words and general contempt for his work and the clowns who love it. On my best day I see him as someone who carried out bizarre experiments on humans while under the influence of the 80’s.

[2] I recognize that in this age of tablets and cloud storage, some techno-savages (not to be confused with technomads) would suggest I ditch the whole thing and make moving twice as easy for the rest of my life, but there are certain things I simply can’t replace.

Out Of This World

December 16, 2010

When my mind gets hopelessly cluttered, I like to sort it out while lying on the floor. It helps me get down to the roots of where I’m at, and work through things from the bottom up. If my mind is piled, what’s at the crest of my thoughts is rarely the problem, it’s everything that’s burning in the background.

Last night I was on the floor trying to figure out why, despite knowing exactly what I want to accomplish in the near future, my mind has been in such disarray, and all creative gears have been completely jammed. I’m settled, and my main focus is regaining the clarity that has been largely absent since I began the moving process a few months ago.

I won’t bore you with every pedestrian reason things have been fucked the fuck up, but here’s an important one: I’ve been lost in a maze of scribbled notes and half-finished thoughts, and I need to take the time to get everything out. If you’re interested in news and insights about Japan, I don’t have anything of depth for you right now. Like I said, I can barely think. With my back to the ground, I realized I have to go back to where things began to unravel, and start from there.

On my flight over I watched The Radiant Child, a documentary about Basquiat, and Howl, the new Ginsberg movie with James Franco. Both films are about legends who really intrigue me, and this context-free quote from an interview with Franco-as-Ginsberg had a lot of impact.

“So the questions is, what happens when you make a distinction between what you tell your friends and what you tell your muse? The trick is to break down that distinction, to approach your muse as frankly as you would talk to yourself, or to your fiends. It’s the ability to commit to writing. To write the same way you are.”

Writing this post has been like hiking through waist deep snow. You don’t even know… every word has been a struggle. But now that I’m unstuck, I’m getting rid of everything. I apologize if some of it is abstract or doesn’t make sense, but everything must go. And everything will be as I am. Some steps will be easy, and some will be harder than this, but eventually I’ll be back at my best, on the run.

Seasons Change, Mad Things Rearrange

November 26, 2010

Wrapping up my entire life over the last month was an intense exercise in time management. I was prepared to leave for Japan on Tuesday, but unfortunately did not get on the plane. There were a few things that needed to be worked out with my visa, and at a near-crippling cost, I was forced to rebook my flight. If everything goes according to plan, I’ll be on my way at the same time next week.

You can imagine that I was pretty crushed on the night things fell apart, but I’ve been feeling positive since then. Being extremely stressed but on top, and then hitting a low point where I was existing in a void, was quite a contrast. Thankfully that void has given me the chance to unwind, have some good conversations, and tinker with ideas and personal projects that were pushed to the side.

I’ve been enjoying the quiet. The day I was supposed to be gone, my phone didn’t ring once, and truthfully, I didn’t feel like talking to anyone. Since then I’ve ventured out here and there, but mostly kept a low profile. Movement to match my mood. Without the stress scattering me I’ve been feeling good, and good things have come to me.

Earlier today I was reading an interview with Justin Vernon of Bon Iver, who put in a ton of work on Kanye’s new album, in which he said, “Everybody is a contradiction of themselves and not only is that not a problem, it’s a beautiful thing. People should be contradictions. If you’re not, it means you’re not evolving or becoming a better person.” And instead of my brain’s receptionist telling him to take a number, I was able to sit back, absorb what he said with a clear head, and think,  “Damn… that’s some pretty ill shit to come up with in an interview.”

A similar moment happened later when I was listening to a lengthy interview with Just Blaze. He was speaking about how a lot of records are impossible to compare because they’re moments in time. Which is a topic that directly relates to recent conversations I’ve had about The College Dropout vs. My Beautiful Dark Twisted Fantasy, and the total insanity when Jay-Z and Jay E respectively dropped D.O.A. and Exhibit C last year.

Both of those insights triangulate with the end of an interview with Yelawolf that really impacted me a couple of days ago. In it he says sincerely, “The art of dope interviews is dead and gone,” and it really stuck in my mind. I’m thankful for the chance to combine and internalize those three things, and for the real effect they’ve had on me. One of my key hopes for this winter is that I’ll be able to do a lot more of this type of thinking, but with some bigger ideas I have.

For those of you in the Swamp fam that get most of your correspondence from me here, I should explain that I’m moving to Niseko for the season. The obvious reason I’m going is to ski as much powder as possible, but it will be an enriching experience in countless other ways. If any of you are curious, I would set aside ten minutes to watch this segment Poor Boyz filmed there a couple years ago. My favorite skier has always been J.P, and soon enough that will be me. P!


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